Chorale conversations: Anne Fulton, alto soloist

Anne Fulton, soprano soloist

You’ll be singing Handel’s ‘Messiah’ with Brisbane Chorale and Sinfonia of St Andrew’s on Sunday 15th November this year. Tell us about your past history with this cherished work and what it is you love about it.I have always loved…

Chorale conversations: Leon Warnock, baritone soloist

You’re going to be featuring in Brisbane Chorale and Brisbane Philharmonic Orchestra’s upcoming performance of ‘A Sea Symphony’ as the baritone soloist. What are you most looking forward to about performing this work?I absolutely love the music of Vaughan Williams.…

Chorale conversations: Rebecca Cassidy, soprano

You’re going to be featuring in Brisbane Chorale and Brisbane Philharmonic Orchestra’s upcoming performance of A Sea Symphony as the soprano soloist. What are you most looking forward to about performing this work?I’m especially looking forward to being part of…

Sinfonia of St Andrew’s

Founded in 1995, Sinfonia of St Andrew’s has performed a wide range of music encompassing the Baroque and Romantic repertoire with local groups such as the Queensland Choir, Oriana Choir, the Queensland University Music Society, and the Ipswich Cambrian Choir…

Meet the composer: Elaine Hagenberg

Elaine Hagenberg

Elaine Hagenberg was born in 1979, and spent her early years as both a singer and a pianist. Educated at Drake University, she released her first published work in 2013, ‘I Will Be a Child of Peace’, an arrangement of a…

Chorale conversations: Timothy Nielson, bass

Timothy Nielson, bass

You’re going to be featuring in Brisbane Chorale’s upcoming performance of Beethoven’s Mass in C as the bass soloist. What are you most looking forward to about performing this work? I’m really looking forward to the emotional depth and spiritual…

Chorale conversations: Beth Allen, alto

Beth Allen, alto

You’re going to be featuring in Brisbane Chorale’s upcoming performance of Beethoven’s ‘Mass In C’ as the alto soloist. What are you most looking forward to about performing this work? Like all requiems, I most look forward to those rich,…

Chorale conversations: Oliver King, tenor

You’re going to be featuring in Brisbane Chorale’s upcoming performance of Beethoven’s ‘Mass In C’ as the tenor soloist.  What are you most looking forward to about performing this work? I’m really looking forward to performing Beethoven’s Mass in C. The…

Chorale conversations: Eline van Bruggen, soprano

You’re going to be featuring in Brisbane Chorale’s upcoming performance of Beethoven’s ‘Mass In C’ as the soprano soloist.  What are you most looking forward to about performing this work? I’m really looking forward to bringing this work to life.…

Chorale Conversations: David Wakeham

You’ll be performing the baritone/bass roles in the upcoming performance of ‘The Dream of Gerontius’ with Brisbane Symphony Orchestra and Brisbane Chorale. Tell us about what this work means to you. This work, like all the works I have performed,…

Chorale Conversations: Bradley Daley

You’ll be performing the role of Gerontius in the upcoming performance of ‘The Dream of Gerontius’ with Brisbane Symphony Orchestra and Brisbane Chorale. Tell us about what this work means to you. The role of Gerontius is a tremendous journey…

Chorale Converstations: Milijana Nikolic

You’ll be performing the role of the Angel in the upcoming performance of The Dream of Gerontius with Brisbane Symphony Orchestra and Brisbane Chorale. This will be your debut performance in the role. What are you most looking forward to…

Reflections from Emily on the two French Requiems

Emily Cox

We asked Music Director Emily Cox to share with us what the Fauré and Duruflé Requiems meant to her, on the eve of our performance of them on Oct 13 2024. Brisbane Chorale last performed the Fauré Requiem and Duruflé…

Chorale Conversations: Christopher Wrench

We recently asked organist Christopher Wrench about his up-coming performances in the Fauré and Duruflé Requiems with Brisbane Chorale. You’ll be performing the Fauré Requiem and Duruflé Requiem on the historic Brisbane City Hall Willis pipe organ in the ‘Into Paradise’ concert. …

Chorale Conversations: Shaun Brown

We recently asked baritone soloist Shaun Brown about his up-coming performances in the Fauré and Duruflé Requiems with Brisbane Chorale. First of all, take us behind the scenes of your pre-concert preparation.  What sort of things do you do (or…

Chorale Conversations: Sarah Crane

We recently asked soprano soloist Sarah Crane about her up-coming performances in the Fauré and Duruflé Requiems with Brisbane Chorale. First of all, take us behind the scenes of your pre-concert preparation.  What sort of things do you do (or…

Chorale Conversations: Jason Barry-Smith

You’re going to be performing Five Mystical Songs by Ralph Vaughan Williams.  Tell us a bit about what this piece means to you. The Five Mystical Songs and I have a long history.  One of my early singing teachers, the…

Chorale Conversations: John Coulton

What led to you choosing the trumpet as your instrument? When I was at primary school in the 1980s my older sisters were playing Brass instruments in the school band program (Trumpet and Trombone to be exact) so I was…

Chorale Conversations: Paul McMahon, tenor

What are you most looking forward to about the upcoming performance? I always look forward to performing interesting repertoire with outstanding colleagues; this performance is no different. Most people who want to be singers would rather be Beyonce than Bartoli,…

Fanny Mendelssohn Hensel

How many male classical music composers can you name? Now how many female classical music composers can you name, particularly from before the 20th century? You’ve probably heard of Felix Mendelssohn, but have you heard of Fanny Mendelssohn Hensel?   Fanny…

Chorale Conversations: Tobias Merz, tenor

What are you most looking forward to about the upcoming performances of ‘The Creation’? There are so many things I’m looking forward to.  Singing this work is a rare pleasure but the real treat will be listening to the thunderous…

Chorale Conversations: Jason Barry-Smith, bass

What are you most looking forward to about the upcoming performances of ‘The Creation’? The greatest joys of making music are the communities with which you work.  The community that’s been brought together for The Creation is a mixture of…

The Creation Collaboration

A musical partnership which had humble beginnings in the late 1980s at the Queensland Conservatorium of Music is about to bear tremendous fruit when Brisbane Chorale and Sunshine Coast Oriana Choir join forces for the first time to present Franz…

Chorale Conversations: Oliver Macura, bass

Tell us a bit about your musical background, including how many years you have sung in a choir? I was born in Serbia, learned how to play piano accordion at the age of 9 but didn’t progress with that. My…

Chorale Conversations: Rob Partridge, tenor

Tell us a bit about your musical background, including how many years you have sung in a choir?I played piano as a kid and have always loved music of all forms, but I’m a relative newcomer to singing. My parents…

Music Director Emily Cox and the Mendelssohn project

For Brisbane Chorale’s conductor Emily Cox AM, the choir’s upcoming performance of works by Fanny Mendelssohn Hensel and Felix Mendelssohn on 1st May 2022 is the realisation of a dream which began at the start of the COVID-19 pandemic. But…

Chorale Conversations: Dilara Ince, alto

Tell us a bit about your musical background, including how many years you have sung in a choir? I’ve studied music in high school and university and it has become a part of my life. I’ve done choir in high…

Chorale Conversations: Chloe Han, Assistant Conductor

Now that Chloe, one of Chorale’s sopranos, is part of our musical leadership team, we felt it was the perfect time to get to know her a little better. Read on to find out about her extensive musical background, which…

Thoughts from Emily Cox AM – A Joyful Noise 2021

Like anyone who makes a living as a professional performer or musician, Brisbane Chorale’s music director Emily Cox AM has found the post-COVID era to be very difficult and challenging. But as Emily and the choir are working towards what…

Chorale Conversations: Christopher Wrench

As a professional musician, what’s it been like for you since COVID-19 began? On the plus side, there has been much more time to practise, which is an amazing gift for any musician, because practice normally has to be squeezed…

Chorale Conversations: John Coulton

As a performing artist, what’s it been like for you since COVID-19 began? As a professional musician the post COVID-19 landscape has been bleak to say the least. I’ve been more fortunate than some with my teaching work to fall…

Chorale Conversations: Rachel Bond, soprano

Tell us a bit about your musical background, including, how many years you have sung in a choir? I was raised in a family that always listened to classical music.  My father had a huge record collection and my earliest…

Gustav Mahler: a short bio

Gustav Mahler was born in Bohemia in 1860 and died in Vienna in 1911.  He was the second of 12 children but only six of them survived to maturity.  Whilst his childhood was difficult, he did receive a good education…

Chorale Conversations: Michael Cooke, bass

Tell us a bit about your musical background, including, how many years you have sung in a choir? I went to an all-boys school, primary and secondary. My earliest memories of singing are from about Grade 4 as a second…

Chorale Conversations: Lionell Pack, bass

Lionell Pack, bass

Tell us a bit about your musical background, including how many years you have sung in a choir? I started my musical journey at age 4 on a 1/16-size violin (which I still have). I’ve played a variety of instruments…

Chorale Conversations: Simon Hewett, QYO Director of Music

You studied both clarinet and conducting at UQ. What made you decide you wanted to become a conductor? Through the clarinet I discovered Mozart and Brahms. I started listening to EVERYTHING they composed, after which I moved on to Beethoven,…

Reflections from Emily, chorusmaster for The Bells

What can the audience expect to experience by seeing “The Bells” from a choral perspective? The essence of choral / symphonic music is that blend of orchestral, choral and solo textures, lifted to another level by words.  It’s really a…

Chorale Conversations: Eva Coggins, alto

Tell us a bit about your musical background, including, how many years you have sung in a choir I first joined the primary school choir at seven years old, and sang in choirs all through school. After high school, I…

Chorale Conversations: Anne Fulton

Anne Fulton, soprano soloist

As a professional singer, what’s it been like for you since COVID-19 began? It’s been pretty soul destroying. I have sung with Opera Qld for 25 years so I miss performing with my OQ family terribly. I am fortunate though…

Would you like to join Chorale?

Brisbane Chorale is seeking new members in all voice parts (soprano, alto, tenor and bass) for its 2021 season and according to Music Director Emily Cox AM, it promises to be a memorable one. “We’ll be performing a wonderful range…

Chorale Conversations: Shaun Brown

As a professional singer, what’s it been like for you since COVID-19 began? Firstly, it has been the loss of income which has hit hard but the actual creative art of music making has left a huge hole in the…

Chorale Conversations: Sarah Crane

As a professional singer, what’s it been like for you since COVID-19 began? It’s certainly been a year of change, with many disappointments for so many in the Arts community along the way. What’s been encouraging the whole time, is…

Brahms: the man and the musician

He loved to walk in nature   He was a great walker and had a passionate love of nature, even in depressingly prolonged periods of rain: “I never found it dull” he said “Even when it rains I just have another…

Thoughts from Emily about our coming Brahms Requiem

Beloved…that word springs to mind when I think of the Brahms Requiem …especially now, it feels very much like music for our time. Brisbane Chorale had programmed this work to be the opening concert of our 2020 season. We ceased…

Chorale Conversations: Mary Hartley, alto

In your work as a nurse, what’s it been like since COVID-19 began?   I am a neonatal nurse and work as part of the Clinical Facilitator team in a large neonatal intensive care unit. We are based in an office…

What Chorale means to us

After what has seemed a long (but very necessary) break from our familiar busy practice and concert schedule, midway through July the Brisbane Chorale began rehearsing again in a completely new way in order to comply with government directives concerning…

Chorale Conversations: Stephanie Johnson, alto

Dr Stephanie Johnson, alto

Dr Stephanie JohnsonPaediatric Endocrinologist, Lady Cilento Children’s Hospital, South BrisbaneVisiting fellow, Queensland University of Technology In your work as a medical specialist, what’s it been like since COVID-19 began? I have to confess that I have been somewhat protected, not…

Choir and COVID-19: Navigating uncharted waters

Many of you will have read articles in the press about the potential for singing to spread Covid-19. Research suggests that aerosols (miniscule particles of liquid generated by exhalation, which can linger in the air) are more prevalent in choral…

Chorale Conversations: Stephen Brierley, tenor

In our inaugural Chorale Conversation, which is a regular monthly series of profiles of particular Chorale members, we’ve invited Stephen Brierley, Emergency Physician, to share some information about himself, the current situation, and his love of choral music. In your…